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Welcome back to Wall Power. Gigaweek, with an estimated $1.25 billion worth of art on offer at the auction houses, is finally here! An incalculable amount of art is also on display at galleries and art fairs around the city right now. Artists and dealers are taking advantage of the presence of thousands of collectors, museum benefactors, art advisors, buyers, sellers, and scenemakers who have convened to take part in the action.
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Wall Power
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Welcome back to Wall Power. I’m Marion Maneker.

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Gigaweek, with an estimated $1.25 billion worth of art on offer at the auction houses, is finally here! An incalculable amount of art is also on display at galleries and art fairs around the city right now. Artists and dealers are taking advantage of the presence of thousands of collectors, museum benefactors, art advisors, buyers, sellers, and scenemakers who have convened to take part in the action.

The atmosphere seems calmer than last year, when everyone was nervously wondering how far the market could fall. (There was plenty of premature bargain hunting when naive observers declared a “buyer’s market” long before sellers had reached a point of capitulation.) This season, despite there being even less art on offer, everyone seems to be in a more sanguine mood: Buyers seem resigned to the present vibe, while consignors are accepting much lower estimates, especially in the day sales, which could bring buyers back to artists who previously got overpriced.

I’ll have more on that below—including details on the Rosa de la Cruz sale. I’ve also been going through the art fairs to get a sense of what’s on offer in the private market, the largely unseen counterweight to the big auctions.

And a quick note for subscribers: We’ve updated our Member Information questionnaire, which takes only a few seconds to fill out. Your responses will help us develop new products tailored to your interests. Just click here to submit your answers, and make sure you’re logged in. Thanks.

But first…

  • Christie’s and the terrible, horrible, no good, very bad weekend: On Thursday evening, Christie’s website started showing 404 errors for this week’s big sales, making the catalogs inaccessible to the numerous interested parties. By Friday, the entire website was down. It’s Sunday night, Christie’s has put up a workaround site here, and clients will soon receive an email from Christie’s C.E.O. Guillaume Cerutti telling them that the sales will...
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MARION MANEKER MARION MANEKER
One of the axioms of the art market is that buyers tend to fluctuate, over multiyear cycles, from an obsessive focus on mostly young up-and-comers toward a fascination with historical artists from different eras. That’s certainly the case this year, where there’s a lot more historical art on view in the city. But we’re also witnessing another, more portentous shift this season toward more private dealing. There’s a simple reason for this, of course: When the art market is contracting, negotiating prices down is best done in private; bidding them up is...
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Latest Articles from Art

Marion Maneker • May 12, 2024
Art Market Shocks & Leon Black’s Math
Welcome back to Wall Power. Gigaweek, with an estimated $1.25 billion worth of art on offer at the auction houses, is finally here! An incalculable amount of art is also on display at galleries and art fairs around the city right now. Artists and dealers are taking advantage of the presence of thousands of collectors, […]
Marion Maneker • May 12, 2024
Marion Maneker: Why I Joined Puck
(Sample from Sports) In many ways, my arrival at Puck represents the full circle of my career covering the Art Market. When I was first getting started in this business, I wrote a newsletter that covered the burgeoning cable TV industry. Decades later, the formula still reigns, despite the convulsions of the industry.
Julia Ioffe • May 12, 2024
Minus inventore ipsa error cupiditate
Eos excepturi voluptas.




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